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Raphael Alba Madonna, c.1514

Alba Madonna, c.1514 by Raphael art print

22" x 27" Fine-Art Print  |  Price: $27.99

Product Information:
Product ID#: 34084
Title: Alba Madonna, c.1514
Artist: Raphael
Type: Fine-Art Print
Paper Size: 22" x 27"
Ships within 5-7 days

This is a Serigraph
You are viewing a Serigraph print. Fine artists create serigraphs in limited runs by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The complex and lengthy process commonly uses inks for pigment and stencils made of a variety of materials. Because of the nature of the process each serigraph is unique.
This is a Giclee
You are viewing a giclee print. Each piece was created by a special process called "Giclee". Giclee is a computer generated print that is produced by the spraying of an image on to fine art paper. The inks used are specially formulated so that the fine print heads can spurt jets of ink in minute droplets. When prints are produced on fine art quality paper, the print should posses archival standards of permanence comparable or better than other collectible work.
This is a Hand Colored Print
You are viewing a hand colored print. The process begins with hand-pulled black & white decorative and antique reproduction prints. Each print is then individually designed and hand colored using the same methods of color application that were used throughout the 19th century, before modern color lithography. Individual artists meticulously paint each piece using the finest European watercolor paints on heavy mat, acid free, archival paper resistant to deterioration and discoloration. By combining old world craftsmanship with fresh design innovations, our artists create works of stunning depth and vibrancy that are absolutely beautiful and unique.
This is a Museum Quality Fine Art Print
You are viewing a museum quality fine-art print. The prints we carry are produced using either the lithographic or serigraphic printing process and are printed on high quality archival acid free paper. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest museum art print reproduction quality and are supplied by the world's leading art publishers. These prints rival any detailed reproduction from their originals and are geared towards the discerning eye of the particular art collector.
This is a Limited Edition
Limited editions are a series of identical prints, which are limited to a one-time printing of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece. Limited edition prints framed by the Fulcrum Gallery are handled separately and given the utmost individual care and attention, using archival framing materials and practices. Because limited editions are in limited supply, and are of exceptionally high quality, the price is generally at a premium to regular open edition prints.
Description:
The 'Alba Madonna' depicts Mary, Jesus and John the Baptist, in a typical Italian countryside. John the Baptist is holding up a cross to Jesus, which he grasps as all three stare at it. The three figures are grouped to the left in the round design, but the outstretched arm of the Madonna and the billowing material of her cloak balance the image. This Madonna was commissioned by Paolo Giovio who planned to send it to the church of the Olivetani in Nocera dei Pagani. In the 18th century, the painting belonged to the Spanish House of Alba, whose name it bears. In 1836 it was acquired by Nicholas I of Russia, who made it one of the highlights of the Imperial Hermitage Museum in Saint Petersburg. A century later the Soviet Government clandestinely sold it to Andrew W. Mellon, who donated his collection to the National Gallery of Art in Washington, D.C., where it may be seen today. During its time in the Hermitage, the painting would be transferred from a circular panel to a square canvas during the early nineteenth century. Through analysis of the painting, it was determined that the original panel was severely splitting down the center and on the right side. The canvas pattern is visible in the painting and the landscape on the far right was damaged in the transfer process.

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